îòïðàâèòü ñîîáùåíèå êàðòà ñàéòà

ÌÀÐÒ 2021 ãîäà

ÌÀÐÒ 2021 ãîäà
ÌÀÐÒ, 2021


ÎÒ ÃËÀÂÍÎÃÎ ÐÅÄÀÊÒÎÐÀ // FROM CHIEF EDITOR

ÌÅÒËÅÍÊÎÂ Í. Ô. ÂÐÅÌß ÝÊÑÏÅÐÈÌÅÍÒÎÂ

NIKOLAY F. METLENKOV, PERIOD OF EXPERIMENTS


ÊÐÓÃËÛÉ ÑÒÎË — ÍÎÂÅÉØÀß ÀÐÕÈÒÅÊÒÓÐÀ // NEWEST ARCHITECTURE — THE ROUND TABLE DISCUSSION

ÊÎÍÎÂÀËÎÂÀ Í. À. ÍÎÂÅÉØÈÅ ÒÅÍÄÅÍÖÈÈ Â ÇÎÄ×ÅÑÒÂÅ È ÊÎÍÒÓÐÛ ÀÐÕÈÒÅÊÒÓÐÛ ÁÓÄÓÙÅÃÎ

NINA A. KONOVALOVA, NEWEST TRENDS IN ARCHITECTURE AND OUTLINE OF FUTURE ARCHITECTURE


ÄÎÁÐÈÖÛÍÀ È. À., ÊÎÏÒÅÂÀ Ò. Â. ÍÅÉÐÎÍÀÓÊÀ ÊÀÊ ÌÅÒÎÄÎËÎÃÈ×ÅÑÊÀß ÒÐÀÍÑÃÐÅÑÑÈß Â ÏÐÎÑÒÐÀÍÑÒÂÎ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÛØËÅÍÈß

IRINA A. DOBRITSINA, TATIANA V. KOPTEVA, NEUROSCIENCE AS A METHODOLOGICAL TRANSGRESSION INTO THE SPACE OF ARCHITECTURAL THINKING IN THE THIRD MILLENNIUM


ÁÀÐ×ÓÃÎÂÀ Å. Â., ÐÎ×ÅÃÎÂÀ Í. À. ÓÐÁÀÍÈÇÈÐÎÂÀÍÍÀß ÑÐÅÄÀ ÈÍÔÎÐÌÀÖÈÎÍÍÎÃÎ ÎÁÙÅÑÒÂÀ

ELENA V. BARCHUGOVA NATALIYA A. ROCHEGOVA, URBANIZED ENVIRONMENT OF THE INFORMATION SOCIETY


ÄÓÖÅÂ Ì. Â. ÀÐÕÈÒÅÊÒÓÐÍÎ-ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÑÐÅÄÀ: ÌÅÒÀÌÎÐÔÎÇÛ ÂÐÅÌÅÍÈ

MIKHAIL V. DUTSEV, ARCHITECTURAL AND ARTISTIC ENVIRONMENT: METAMORPHOSES OF TIME


ÊÀÑÜßÍΠÍ. Â. ΠÂÇÀÈÌÎÑÂßÇÈ ÒÅÕÍÎËÎÃÈÉ È ÒÅÍÄÅÍÖÈÉ ÔÎÐÌÎÎÁÐÀÇÎÂÀÍÈß Â ÀÐÕÈÒÅÊÒÓÐÅ ÍÀ×ÀËÀ XXI ÂÅÊÀ.

NICKOLAY V. KASYANOV, ON THE INTERRELATIONSHIP OF TECHNOLOGIES AND TRENDS IN SHAPING IN ARCHITECTURE AT THE BEGINNING OF THE 21ST CENTURY


ÊÎÍÎÂÀËÎÂÀ Í. À. ÌÈÑÑÈß ÑÎÂÐÅÌÅÍÍÎÉ ÀÐÕÈÒÅÊÒÓÐÛ ÈËÈ ÂÎÇÂÐÀÙÅÍÈÅ Ê ÈÑÒÎÊÀÌ. ßÏÎÍÑÊÈÉ ÎÏÛÒ

NINA A. KONOVALOVA, THE MISSION OF CONTEMPORARY ARCHITECTURE OR RETURN TO THE ORIGINS. JAPANESE EXPERIENCE


ÊÓÊÈÍÀ È. Â. ÓÐÁÎ-ÊÎÍÔËÈÊÒÛ: ÐÀÇÄÅËÅÍÍÛÅ ÈËÈ ÄÂÎÉÍÛÅ ÃÎÐÎÄÀ?

IRINA V. KUKINA, URBAN CONFLICTS: DEVIDED OR DOUBLE CITIES?


ÌÀÅÂÑÊÀß Ì. Å. ÌÅÄÈÀÔÀÑÀÄ ÊÀÊ ÈÍÑÒÐÓÌÅÍÒ ÕÓÄÎÆÅÑÒÂÅÍÍÎÃÎ ÎÒÎÁÐÀÆÅÍÈß ÊÎÍÖÅÏÖÈÈ «ÓÌÍÎÃÎ ÃÎÐÎÄÀ»  ÂÛÑÎÒÍÎÉ ÀÐÕÈÒÅÊÒÓÐÅ

MARIANNA E. MAEVSKAYA, MEDIA FACADE AS A TOOL OF ARTISTIC REPRESENTATION OF THE «SMART CITY» CONCEPT IN A HIGH-ALTITUDE ARCHITECTURE


ÌÅÐÈÄÆÈ Ì. ÊËÈØÅ, ÍÅÓÄÀ×È È ÏÅÐÑÏÅÊÒÈÂÛ «ÍÎÂÎÉ ÀÐÕÈÒÅÊÒÓÐÛ»

MAURIZIO MERIGGI, CLICHÉ, NONCOMPLIANCE AND PERSPECTIVES OF THE «NEW ARCHITECTURE»


ÏÒÈ×ÍÈÊÎÂÀ Ã. À. ÀÐÕÈÒÅÊÒÓÐÀ È ÖÈÔÐÎÂÛÅ ÌÅÄÈÀ: ÂÅÊÒÎÐÛ ÐÀÇÂÈÒÈß Â XXI ÂÅÊÅ

GALINA A. PTICHNIKOVA, ARCHITECTURE AND DIGITAL MEDIA: VECTORS OF DEVELOPMENT IN THE XXI CENTURY


ÔÅÄ×ÅÍÊÎ È. Ã. ΠÐÎËÈ ÀÐÕÈÒÅÊÒÓÐÍÎ-ÏËÀÍÈÐÎÂÎ×ÍÎÃÎ ÂÎÏËÎÙÅÍÈß ÊÎÌÏËÅÊÑÍÎÃÎ ÐÀÇÂÈÒÈß ÒÅÐÐÈÒÎÐÈÉ

IRINA G. FEDCHENKO, ON THE ROLE OF ARCHITECTURAL AND PLANNING IMPLEMENTATION OF INTEGRATED DEVELOPMENT OF TERRITORIES


×ÆÀÍ ÖÇÈÍÜ, ×ÝÍÜ ÖÞÀÍÜ'ÀÍÜ, ÒÐÀÄÈÖÈÎÍÍÎÅ ßÄÐÎ È ÑÎÂÐÅÌÅÍÍÎÅ ÌÍÎÃÎÎÁÐÀÇÈÅ — ÎÁÇÎÐ ÒÂÎÐ×ÅÑÒÂÀ ×ÅÒÂÅÐÒÎÃÎ È ÏßÒÎÃÎ ÏÎÊÎËÅÍÈÉ ÊÈÒÀÉÑÊÈÕ ÀÐÕÈÒÅÊÒÎÐÎÂ

JIN ZHANG, QUAN'AN CHEN, TRADITIONAL CORE AND MODERN DIVERSITY — OVERVIEW OF THE FOURTH AND FIFTH GENERATIONS OF CHINESE ARCHITECTS CREATIVITY


ÞÐÎÂÑÊÀß Þ. Â., ÀÄÀÌΠÎ. È. ÏÐÎßÂËÅÍÈÅ ÏËÀÑÒÈ×ÅÑÊÈÕ ÎÁÐÀÇΠ ÀÐÕÈÒÅÊÒÓÐÅ ÇÀÕÈ ÕÀÄÈÄ Â ÕÎÄÅ ÈÍÄÈÂÈÄÓÀËÜÍÛÕ ÑÒÀÍÎÂËÅÍÈÉ ÀÐÕÈÒÅÊÒÎÐÀ

YULIYA V. YUROVSKAYA, OLEG I. ADAMOV, REVEALING THE PLASTIC IMAGES IN THE ARCHITECTURE OF ZAHA HADID WHILE INDIVIDUAL BECOMING OF AN ARCHITECT


ßÂÅÉÍ Î. È., ßÍÊÎÂÑÊÀß Þ. Ñ. ÌÅÆÄÈÑÖÈÏËÈÍÀÐÍÛÅ ÊÎÍÖÅÏÒÛ ÊÀÊ ÈÍÑÒÐÓÌÅÍÒÀÐÈÉ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÏÐÎÅÊÒÈÐÎÂÀÍÈß

OLEG I. YAWEIN, YULIYA S. YANKOVSKAYA, CROSS-DISCIPLINARY CONCEPTS AS TOOLS ARCHITECTURAL DESIGN

 

 

ÊÎÍÖÅÏÖÈÈ // CONCEPTS

ÄÅÐÁÀÊ ÔÅÒÕ ÇÅÕÎÐ ÍÀÐÈÌÀÍ, ÒÊÀ×Å Â. Í. ÒÈÏÎËÎÃÈß ÃÎÐÎÄÑÊÎÃÎ ÆÈËÎÃÎ ÄÎÌÀ-ÏÀÒÈÎ ÀËÆÈÐÀ

DEBRAK FETKH ZEHOR NARIMAN, VALENTIN N. TKACHEV, TYPOLOGY OF PATIO-HOUSE IN ALGERIA


ÈËÜÂÈÖÊÀß Ñ. Â., ÆÈÖÀ Ï. ÑÎÖÈÀËÜÍÀß ÌÈÑÑÈß ÑÂßÒÎ-ÀËÅÊÑÈÅÂÑÊÎÉ ÏÓÑÒÛÍÈ

SVETLANA V. ILVITSKAYA, PETAR ZICA, MISSION SOCIAL OF MONASTERY SVIATO-ALEXIEVSKII

 

 

ÑÐÅÄÀ // CONCEPTS

ÊÈßÍÅÍÊÎ, Ê. Â. «ÑÐÅÄÎÂÈÇÀÖÈß» ÀÐÕÈÒÅÊÒÓÐÛ: ÈÑÒÎÊÈ Â ÏÑÈÕÎËÎÃÈÈ È ÑÎÖÈÎËÎÃÈÈ

KONSTANTIN V. KIYANENKO, «ENVIRONMENTIZATION» OF ARCHITECTURE: ORIGINS IN PSYCHOLOGY AND SOCIOLOGY

 

 

ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ XXI âåêà // THESAURUS

ÃÎÐÎÄÑÊÀß ÀÃÐÎÔÅÐÌÀ . Â. ÈËÜÂÈÖÊÀß, Ä. À. ÄÐÎÇÄÎÂÀ)

 

 

ÀÂÒÎÐÛ ÍÎÌÅÐÀ

ßíäåêñ öèòèðîâàíèÿ Rambler's Top100