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NIKOLAY F. METLENKOV, CULTURE OF ARCHITECTURAL CREATIVITY
ÊÐÓÃËÛÉ ÑÒÎË — ÊÓËÜÒÓÐÀ Â ÑÎÂÐÅÌÅÍÍÎÉ ÀÐÕÈÒÅÊÒÓÐÅ
THE CULTURE IN CONTEMPORARY ARCHITECTURE — THE ROUND TABLE DISCUSSION
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OLEG I. ADAMOV, ON COSMIC CONCEIVING OF IVAN LEONIDOV'S SPATIAL CONSTRUCTIONS
ÀÉÄÀÐÎÂÀ-ÂÎËÊÎÂÀ Ã.Í. “ÑÒÀÐÎÅ» È «ÍÎÂÎÅ“  ÀÐÕÈÒÅÊÒÓÐÅ ÄÐÅÂÍÅÉ ÊÀÇÀÍÈ — ÄÂÀ ÊÐÛËÀ ÓÑÒÎÉ×ÈÂÎÃÎ ÑÎÕÐÀÍÅÍÈß È ÐÀÇÂÈÒÈß ÈÑÒÎÐÈ×ÅÑÊÎÃÎ ÖÅÍÒÐÀ
GALINA N. AYDAROVA-VOLKOVA, “OLD» AND «NEW» IN THE ARCHITECTURE OF ANCIENT KAZAN — TWO WINGS OF SUSTAINABLE PRESERVATION AND DEVELOPMENT OF THE HISTORICAL CENTER
ÁÅÌÁÅËÜ È.Î. ÊÓËÜÒÓÐÀ ÑÎÂÐÅÌÅÍÍÎÉ ÀÐÕÈÒÅÊÒÓÐÛ
IRINA O. BEMBEL, THE CULTURE OF MODERN ARCHITECTURE
ÁÓ××È Ô. ÒÅÐÐÀÍÜÈ, ÊÀÒÒÀÍÅÎ È ×ÈËÈÁÅÐÒÈ. ÈÑÒÎÊÈ È ÑÒÀÍÎÂËÅÍÈÅ ÑÎÂÐÅÌÅÍÍÎÉ ÈÒÀËÜßÍÑÊÎÉ ÀÐÕÈÒÅÊÒÓÐÛ
FEDERICO BUCCI, TERRAGNI, CATTANEO AND CILIBERTI. ORIGINS AND BECOMING OF CONTEMPORARY ITALIAN ARCHITECTURE
ÇÀÁÅËÈÍÀ Å.Â. ÃÀÁÐÈÝËÜ ÃÓÝÂÐÅÊßÍ. ÏÅÐÑÈÄÑÊÈÅ ÊÎÐÍÈ ÑÎÂÐÅÌÅÍÍÎÃÎ ÑÀÄÀ
ELENA V. ZABELINA, GABRIEL GUEVREKIAN. THE PERSIAN ROOTS OF MODERN GARDEN
ÊÀÏÓÑÒÈÍ Ï. Â. ÀÐÕÈÒÅÊÒÓÐÀ È ÊÓËÜÒÓÐÀ: ÃÐÀÍÈ ÂÇÀÈÌÎÄÅÉÑÒÂÈß Â ×ÅÒÛÐ¨Õ ÑÞÆÅÒÀÕ
PETER V. KAPUSTIN, ARCHITECTURE AND CULTURE: THE FACES OF INTERACTION IN THE FOUR STORIES
ÊÎÍÅÂÀ Å.Â. ÑÎÖÈÎÊÓËÜÒÓÐÍÀß ÄÅÒÅÐÌÈÍÀÖÈß ÑÌÛÑËÎÎÁÐÀÇÎÂ ÏÐÎÑÒÐÀÍÑÒÂÅÍÍÎÉ ÑÐÅÄÛ ÃÎÐÎÄÀ
EKATERINA V. KONEVA, SOCIOCULTURAL DETERMINATION OF SENSE-IMAGES OF SPATIAL ENVIRONMENT OF A CITY
ßÍÓØÊÈÍÀ Þ.Â. ÀÐÕÈÒÅÊÒÓÐÀ È ÊÓËÜÒÓÐÀ: ÎÒ ÌÎÍÓÌÅÍÒÀËÜÍÎÑÒÈ Ê ÝÔÅÌÅÐÈÇÀÖÈÈ
YULIA V. YANUSHKINA, ARCHITECTURE AND CULTURE: FROM MONUMENTALITY TO EPHEMERIZATION
ÏÐÎÔÅÑÑÈÎÍÀËÜÍÀß ÐÅÏËÈÊÀ // PROFESSIONAL REPLICA
ÁÅËÊÈÍ À.Í., ÆÅÐÅÁÈÍÀ Ì.À. ×ÈÒÀß ÁÓÐÎÂÀ
ALEXANDER N. BELKIN, MARIA A. ZHEREBINA, READING BUROV
ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ XXI âåêà // THESAURUS
Ðåñóðñû ôîðìèðîâàíèÿ ãîðîäñêîé èäåíòè÷íîñòè (Ëàçàðåâà Ì. Â.)
ÊÎÍÖÅÏÖÈÈ // CONCEPTS
ÀËÅÊÑÅÅÂ Þ.Â. ÏÎÄÕÎÄ Ê ÊÎÌÏÎÇÈÖÈÎÍÍÎ-ÕÓÄÎÆÅÑÒÂÅÍÍÎÉ ÎÐÃÀÍÈÇÀÖÈÈ ÇÀÑÒÐÎÉÊÈ ÊÂÀÐÒÀËÎÂ 1950-Õ-1960-Õ ÃÃ. ÏÐÈ ÌÀÑÑÎÂÎÉ ÐÅÍÎÂÀÖÈÈ
YURIY V. ALEKSEEV, APPROACH TO THE COMPOSITION-ARTISTIC ORGANIZATION OF THE BUILDINGS OF THE QUARTERS OF THE 1950S-1960S. FOR THE MASS RENOVATION
ÃÓÐÜÅ Ã. Ñ., ÅÍÈÍ À. Å. ÏÓËÜÑÈÐÓÞÙÈÉ ÐÈÒÌ ÊËÀÑÑÈÖÈÑÒÈ×ÅÑÊÎÉ ÒÐÀÄÈÖÈÈ Â ÀÐÕÈÒÅÊÒÓÐÅ ÂÎÐÎÍÅÆÀ ÑÅÐÅÄÈÍÛ XIX-ÍÀ×ÀËÀ XX ÂÅÊÎÂ
GREGORY S. GUREV, ALEXANDER E. YENIN, PULSING RHYTHM OF CLASSICAL TRADITION IN THE ARCHITECTURE OF VORONEZH OF THE MIDDLE OF THE XIX — THE BEGINNING OF THE XX CENTURIES
ÇÀÄÂÎÐßÍÑÊÀß Ò.È. ÔÅÍÎÌÅÍ ÃËÎÁÀËÜÍÎÃÎ ÃÎÐÎÄÀ: ÎÏÐÅÄÅËÅÍÈÅ, ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ, ÃÐÀÄÎÎÁÐÀÇÓÞÙÈÉ ÏÐÎÖÅÑÑ È ÃÐÀÄÎÔÎÐÌÈÐÓÞÙÀß ÑÐÅÄÀ
TATIANA I. ZADVORYANSKAYA, PHENOMENON OF THE GLOBAL CITY: THE DEFINITION, CHARACTERISTICS, URBAN-GENERATIVE PROCESS AND CITY-FORMING ENVIRONMENT
ÃÓÙÈÍ À.Í., ÄÈÂÀÊÎÂÀ Ì.Í. ÑÈÑÒÅÌÍÛÉ ÀÍÀËÈÒÈÊ — ÁÓÄÓÙÀß ÊÎÌÏÅÒÅÍÖÈß ÀÐÕÈÒÅÊÒÎÐÀ
ALEXANDER N. GUSHCHIN, MARINA N. DIVAKOVA, SYSTEM ANALYST — THE FUTURE COMPETENCE OF THE ARCHITECT
ÕÎÌßÊΠÀ.È. ÀÍÀÒÎÌÈß ÌÅÌÎÐÈÀËÀ: ÌÎÒÈÂÛ, ÊÎÌÏÎÍÅÍÒÛ, ßÇÛÊ
ALEXANDER I. KHOMYAKOV, MEMORIAL ANATOMY: MOTIVES, COMPONENTS, LANGUAGE
ÄÅÍÈÑÎÂÀ Þ.Â. ÔÎÐÌÈÐÎÂÀÍÈÅ ÒÂÎÐ×ÅÑÊÎÉ ËÈ×ÍÎÑÒÈ ÀÐÕÈÒÅÊÒÎÐÀ Ò. ÃÀÐÍÜÅ
YULIA V. DENISOVA, FORMATION OF CREATIVE PERSONALITIES OF ARCHITECT T. GARNIER