îòïðàâèòü ñîîáùåíèå êàðòà ñàéòà

ÑÅÍÒßÁÐÜ 2018 ãîäà

ÑÅÍÒßÁÐÜ 2018 ãîäà

ÎÒ ÃËÀÂÍÎÃÎ ÐÅÄÀÊÒÎÐÀ

ÌÅÒËÅÍÊΠÍ.Ô. ÊÓËÜÒÓÐÀ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÒÂÎÐ×ÅÑÒÂÀ

NIKOLAY F. METLENKOV, CULTURE OF ARCHITECTURAL CREATIVITY

 

ÊÐÓÃËÛÉ ÑÒÎË — ÊÓËÜÒÓÐÀ  ÑÎÂÐÅÌÅÍÍÎÉ ÀÐÕÈÒÅÊÒÓÐÅ

THE CULTURE IN CONTEMPORARY ARCHITECTURE — THE ROUND TABLE DISCUSSION

 

ÀÄÀÌΠÎ.È. Î ÊÎÑÌÈ×ÅÑÊÎÌ ÇÀÌÛÑËÅ ÏÐÎÑÒÐÀÍÑÒÂÅÍÍÛÕ ÏÎÑÒÐÎÅÍÈÉ ÈÂÀÍÀ ËÅÎÍÈÄÎÂÀ

OLEG I. ADAMOV, ON COSMIC CONCEIVING OF IVAN LEONIDOV'S SPATIAL CONSTRUCTIONS


ÀÉÄÀÐÎÂÀ-ÂÎËÊÎÂÀ Ã.Í. “ÑÒÀÐÎÅ» È  «ÍÎÂÎÅ“  ÀÐÕÈÒÅÊÒÓÐÅ ÄÐÅÂÍÅÉ ÊÀÇÀÍÈ — ÄÂÀ ÊÐÛËÀ ÓÑÒÎÉ×ÈÂÎÃÎ ÑÎÕÐÀÍÅÍÈß È ÐÀÇÂÈÒÈß ÈÑÒÎÐÈ×ÅÑÊÎÃÎ ÖÅÍÒÐÀ

GALINA N. AYDAROVA-VOLKOVA, “OLD» AND  «NEW» IN THE ARCHITECTURE OF ANCIENT KAZAN — TWO WINGS OF SUSTAINABLE PRESERVATION AND DEVELOPMENT OF THE HISTORICAL CENTER

 

ÁÅÌÁÅËÜ È.Î. ÊÓËÜÒÓÐÀ ÑÎÂÐÅÌÅÍÍÎÉ ÀÐÕÈÒÅÊÒÓÐÛ

IRINA O. BEMBEL, THE CULTURE OF MODERN ARCHITECTURE

 

ÁÓ××È Ô. ÒÅÐÐÀÍÜÈ, ÊÀÒÒÀÍÅÎ È ×ÈËÈÁÅÐÒÈ. ÈÑÒÎÊÈ È ÑÒÀÍÎÂËÅÍÈÅ ÑÎÂÐÅÌÅÍÍÎÉ ÈÒÀËÜßÍÑÊÎÉ ÀÐÕÈÒÅÊÒÓÐÛ

FEDERICO BUCCI, TERRAGNI, CATTANEO AND CILIBERTI. ORIGINS AND BECOMING OF CONTEMPORARY ITALIAN ARCHITECTURE


ÇÀÁÅËÈÍÀ Å.Â. ÃÀÁÐÈÝËÜ ÃÓÝÂÐÅÊßÍ. ÏÅÐÑÈÄÑÊÈÅ ÊÎÐÍÈ ÑÎÂÐÅÌÅÍÍÎÃÎ ÑÀÄÀ

ELENA V. ZABELINAGABRIEL GUEVREKIAN. THE PERSIAN ROOTS OF MODERN GARDEN


ÊÀÏÓÑÒÈÍ Ï. Â. ÀÐÕÈÒÅÊÒÓÐÀ È ÊÓËÜÒÓÐÀ: ÃÐÀÍÈ ÂÇÀÈÌÎÄÅÉÑÒÂÈß Â ×ÅÒÛÐ¨Õ ÑÞÆÅÒÀÕ

PETER V. KAPUSTIN, ARCHITECTURE AND CULTURE: THE FACES OF INTERACTION IN THE FOUR STORIES

 

ÊÎÍÅÂÀ Å.Â. ÑÎÖÈÎÊÓËÜÒÓÐÍÀß ÄÅÒÅÐÌÈÍÀÖÈß ÑÌÛÑËÎÎÁÐÀÇÎÂ ÏÐÎÑÒÐÀÍÑÒÂÅÍÍÎÉ ÑÐÅÄÛ ÃÎÐÎÄÀ 

EKATERINA V. KONEVA, SOCIOCULTURAL DETERMINATION OF SENSE-IMAGES OF SPATIAL ENVIRONMENT OF A CITY


ßÍÓØÊÈÍÀ Þ.Â. ÀÐÕÈÒÅÊÒÓÐÀ È ÊÓËÜÒÓÐÀ: ÎÒ ÌÎÍÓÌÅÍÒÀËÜÍÎÑÒÈ Ê ÝÔÅÌÅÐÈÇÀÖÈÈ

YULIA V. YANUSHKINA, ARCHITECTURE AND CULTURE: FROM MONUMENTALITY TO EPHEMERIZATION

 

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÀß ÐÅÏËÈÊÀ // PROFESSIONAL REPLICA

ÁÅËÊÈÍ À.Í., ÆÅÐÅÁÈÍÀ Ì.À. ×ÈÒÀß ÁÓÐÎÂÀ

ALEXANDER N. BELKIN, MARIA A. ZHEREBINA, READING BUROV


ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ XXI âåêà // THESAURUS

Ðåñóðñû ôîðìèðîâàíèÿ ãîðîäñêîé èäåíòè÷íîñòè  (Ëàçàðåâà Ì. Â.)


ÊÎÍÖÅÏÖÈÈ // CONCEPTS

 ÀËÅÊÑÅÅÂ Þ.Â. ÏÎÄÕÎÄ Ê ÊÎÌÏÎÇÈÖÈÎÍÍÎ-ÕÓÄÎÆÅÑÒÂÅÍÍÎÉ ÎÐÃÀÍÈÇÀÖÈÈ ÇÀÑÒÐÎÉÊÈ ÊÂÀÐÒÀËÎÂ 1950-Õ-1960-Õ ÃÃ. ÏÐÈ ÌÀÑÑÎÂÎÉ ÐÅÍÎÂÀÖÈÈ

YURIY V. ALEKSEEV, APPROACH TO THE COMPOSITION-ARTISTIC ORGANIZATION OF THE BUILDINGS OF THE QUARTERS OF THE 1950S-1960S. FOR THE MASS RENOVATION


ÃÓÐÜÅ Ã. Ñ., ÅÍÈÍ À. Å. ÏÓËÜÑÈÐÓÞÙÈÉ ÐÈÒÌ ÊËÀÑÑÈÖÈÑÒÈ×ÅÑÊÎÉ ÒÐÀÄÈÖÈÈ Â ÀÐÕÈÒÅÊÒÓÐÅ ÂÎÐÎÍÅÆÀ ÑÅÐÅÄÈÍÛ XIX-ÍÀ×ÀËÀ XX ÂÅÊÎÂ

GREGORY S. GUREV, ALEXANDER E. YENIN, PULSING RHYTHM OF CLASSICAL TRADITION IN THE ARCHITECTURE OF VORONEZH OF THE MIDDLE OF THE XIX — THE BEGINNING OF THE XX CENTURIES


ÇÀÄÂÎÐßÍÑÊÀß Ò.È. ÔÅÍÎÌÅÍ ÃËÎÁÀËÜÍÎÃÎ ÃÎÐÎÄÀ: ÎÏÐÅÄÅËÅÍÈÅ, ÕÀÐÀÊÒÅÐÈÑÒÈÊÈ, ÃÐÀÄÎÎÁÐÀÇÓÞÙÈÉ ÏÐÎÖÅÑÑ È ÃÐÀÄÎÔÎÐÌÈÐÓÞÙÀß ÑÐÅÄÀ

TATIANA I. ZADVORYANSKAYA, PHENOMENON OF THE GLOBAL CITY: THE DEFINITION, CHARACTERISTICS, URBAN-GENERATIVE PROCESS AND CITY-FORMING ENVIRONMENT


ÃÓÙÈÍ À.Í., ÄÈÂÀÊÎÂÀ Ì.Í. ÑÈÑÒÅÌÍÛÉ ÀÍÀËÈÒÈÊ — ÁÓÄÓÙÀß ÊÎÌÏÅÒÅÍÖÈß ÀÐÕÈÒÅÊÒÎÐÀ

ALEXANDER N. GUSHCHIN, MARINA N. DIVAKOVA, SYSTEM ANALYST — THE FUTURE COMPETENCE OF THE ARCHITECT

 

ÕÎÌßÊΠÀ.È. ÀÍÀÒÎÌÈß ÌÅÌÎÐÈÀËÀ: ÌÎÒÈÂÛ, ÊÎÌÏÎÍÅÍÒÛ, ßÇÛÊ

ALEXANDER I. KHOMYAKOV, MEMORIAL ANATOMY: MOTIVES, COMPONENTS, LANGUAGE


ÄÅÍÈÑÎÂÀ Þ.Â. ÔÎÐÌÈÐÎÂÀÍÈÅ ÒÂÎÐ×ÅÑÊÎÉ ËÈ×ÍÎÑÒÈ ÀÐÕÈÒÅÊÒÎÐÀ Ò. ÃÀÐÍÜÅ

YULIA V. DENISOVA, FORMATION OF CREATIVE PERSONALITIES OF ARCHITECT T. GARNIER


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