ÄÅÊÀÁÐÜ, 2020
ÎÒ ÐÅÄÀÊÖÈÈ // FROM EDITORS
ÌÅÒËÅÍÊÎÂ Í. Ô., ÊÎÍÅÂÀ Å. Â. ÃËÀÂÍÛÉ ÓÐÎÊ ÂÕÓÒÅÌÀÑÀ
NIKOLAY F. METLENKOV, EKATERINA V. KONEVA, THE MAIN LESSON OF VKHUTEMAS
ÊÐÓÃËÛÉ ÑÒÎË — ÂÕÓÒÅÌÀÑ — 100 // VÊHUTEMAS — 100 — THE ROUND TABLE DISCUSSION
ÀÄÀÌΠÎ. È. ÂÕÓÒÅÌÀÑ: ÒÐÀÄÈÖÈß — ÍÀ×ÈÍÀÒÜ ÏÎÑÒÐÎÅÍÈÅ ÌÈÐÀ «Ñ ÍÓËß»
OLEG I. ADAMOV, VKHUTEMAS: TRADITION — TO INITIATE CONSTRUCTING THE WORLD FROM «ZERO» POINT
ÊÓÄÐßÂÖÅ À. Ï. ÒÐÓÄÍÛÉ ÏÓÒÜ ÂÎÇÂÐÀÙÅÍÈß
ALEXANDER P. KUDRYAVTSEV, THE HARD ROAD OF RENAISSANCE
ÁÓÕÀÐÎÂÀ Å. À. ÌÎÄÅÐÍÈÑÒÑÊÈÉ ÎÁÐÀÇ ÕÐÀÌÀ Â ÀÐÕÈÒÅÊÒÓÐÅ ÈÂÀÍÀ ËÅÎÍÈÄÎÂÀ ÍÀ ÏÐÈÌÅÐÅ ËÅÑÒÍÈÖÛ ÑÀÍÀÒÎÐÈß ÍÊÒÏ Â ÊÈÑËÎÂÎÄÑÊÅ
EKATERINA A. BUKHAROVA, LANDSCAPED STAIRCASE OF NKTP SANATORIUM IN KISLOVODSK: THE MODERNIST IMAGE OF THE TEMPLE IN ARCHITECTURE BY IVAN LEONIDOV
ÈËÜÂÈÖÊÀß Ñ. Â., ÏÎßÍ À. Â. ÄÈÂÅÐÃÅÍÒÍÎÅ ÐÀÇÂÈÒÈÅ ÀÐÕÈÒÅÊÒÓÐÛ ÊÎÍÑÒÐÓÊÒÈÂÈÇÌÀ  ÌÎËÄÀÂÈÈ: ÄÂÀ ÁÅÐÅÃÀ Ó ÎÄÍÎÉ ÐÅÊÈ
SVETLANA V. ILVITSKAYA, ÀNNA V. POYAN, DIVERGENT DEVELOPMENT OF CONSTRUCTIVIST ARCHITECTURETO MOLDOVA: TWO COASTS ON THE SAME RIVER
ËÀÏØÈÍÀ Å. Ã. ÏÅÍÇÅÍÑÊÈÉ ÕÓÒÅÌÀÑ. ÎÑÎÁÅÍÍÎÑÒÈ ÔÎÐÌÈÐÎÂÀÍÈß: ßÍÂÀÐÜ-ÈÞËÜ 1921 ã.
ELENA G. LAPSHINA, PENZA HUTEMAS. FEATURES OF FORMATION: JANUARY-JULY, 1921
ËÎÏÀÒÊÈÍÀ Å. Þ. ÊËÀÑÑÈ×ÅÑÊÀß ÒÐÀÄÈÖÈß È ÏÎÍÈÌÀÍÈÅ ÀÐÕÈÒÅÊÒÓÐÍÎÉ ÔÎÐÌÛ ÏÎÐÒÀËÀ  ÒÂÎÐ×ÅÑÒÂÅ È.È. ËÅÎÍÈÄÎÂÀ
EKATERINA Y. LOPATKINA, CLASSICAL TRADITION AND INTERPRETATION OF ARCHITECTURAL FORM OF PORTAL IN IVAN LEONIDOV'S CREATIVE WORK
×ÅÐÊÀÑΠÃ. Í. ÀÐÕÈÒÅÊÒÓÐÍÀß ÆÈÇÍÜ ÌÎÑÊÂÛ: ÀÐÕÔÀÊ ÂÕÓÒÅÌÀÑÀ È ÀÐÕÈÒÅÊÒÓÐÍÎÅ ÎÒÄÅËÅÍÈÅ ÌÂÒÓ
GEORGIY N. CHERKASOV, ARCHITECTURAL LIFE OF MOSCOW: ARCHITECTURE FACULTY OF VHUTEMAS AND ARCHITECTURAL DEPARTMENT OF MOSCOW HIGHER TECHNICAL SCHOOL (MHTS)
ÀÄÀÌÎÂ Î. È. ÑÌÛÑËÎÂÛÅ ÅÄÈÍÈÖÛ Â ÏÐÎÑÒÐÀÍÑÒÂÅÍÍÛÕ ÏÎÑÒÐÎÅÍÈßÕ ÂÅËÈÌÈÐÀ ÕËÅÁÍÈÊÎÂÀ, ÂËÀÄÈÌÈÐÀ ÒÀÒËÈÍÀ È ÈËÜÈ ÃÎËÎÑÎÂÀ
OLEG I. ADAMOV, THE SEMANTIC UNITS IN SPATIAL CONSTRUCTIONS BY VELIMIR KHLEBNIKOV, VLADIMIR TATLIN AND ILYA GOLOSOV
ÂÕÓÒÅÌÀÑ-100. ÂÛÑÒÀÂÊÈ. ÊÎÍÊÓÐÑÛ // VKHUTEMAS — 100. EXHIBITIONS. COMPETITIONS
ÈÂÀÍÎÂÀ-ÂÅÝÍ Ë. È. ÄÈÑÖÈÏËÈÍÀ «ÏÐÎÑÒÐÀÍÑÒÂλ Í.À. ËÀÄÎÂÑÊÎÃÎ ÍÀ ÂÛÑÒÀÂÊÀÕ 1923-2020 ÃÃ.
LARISA I. IVANOVA-VEEN, DISCIPLINE «SPACE» N.À. LADOVSKY AT EXHIBITIONS 1923-2020
×ÅÏÊÓÍÎÂÀ È. Â. ÂÕÓÒÅÌÀÑ 1920-1930. ÊÎËËÅÊÖÈÈ È ÂÛÑÒÀÂÊÈ ÌÓÇÅß ÀÐÕÈÒÅÊÒÓÐÛ ÈÌ. À.Â. ÙÓÑÅÂÀ
IRINA V. CHEPKUNOVA, VKHUTEMAS 1920-1930. COLLECTIONS AND EXHIBITIONS OF THE SHCHUSEV MUSEUM OF ARCHITECTURE
ÅÐÌÎËÀÅÂ À. Ï., ÅÐÌÎËÀÅÂ À. À. ÂÛÑÒÀÂÊÀ «ÂÕÓÒÅÌÀÑ Â ÌÀÐÕÈ»
ALEKSANDER P. ERMOLAEV, ALEKSANDER A. ERMOLAEV, EXHIBITION «VKHUTEMAS IN MARKHI»
ÑÅËÈÂÀÍÎÂÀ À. Í. ÂÛÑÒÀÂÊÀ «ÂÕÓÒÅÌÀÑ 100. ØÊÎËÀ ÀÂÀÍÃÀÐÄÀ» Â ÌÓÇÅÅ ÌÎÑÊÂÛ
ALEXANDRA N. SELIVANOVA, VKHUTEMAS 100. SCHOOL OF THE AVANT-GARDE
ÏÎËÅÙÓÊ Ì. Í. ÂÕÓÒÅÌÀÑ ÊÀÊ «ÈÍÑÒÈÒÓÒ ÐÀÇÂÈÒÈß» ÐÓÑÑÊÎÃÎ ÀÂÀÍÃÀÐÄÀ
MAXIM N. POLESHCHUK, VKHUTEMAS AS A TOOL FOR DEVELOPMENT OF RUSSIAN AVANT-GUARD
ÊÎÍÖÅÏÖÈÈ // CONCEPTS
ÄÅÌÁÈ× À. À., ÎÐËÎÂÀ Í. Ã., ÓËÜßÍΠÄ. À. ÎÑÎÁÅÍÍÎÑÒÈ ÑÒÀÍÎÂËÅÍÈß ÏÎËÈÖÅÍÒÐÈ×ÅÑÊÎÉ ÃÐÀÄÎÑÒÐÎÈÒÅËÜÍÎÉ ÑÈÑÒÅÌÛ Â ÃÎÐÎÄÅ ÍÀÁÅÐÅÆÍÛÕ ×ÅËÍÀÕ
ALEXANDER A. DEMBICH, NATALIIA G. ORLOVA, DMITRY A. ULYANOV, FEATURES OF THE FORMATION OF A POLYCENTRIC URBAN PLANNING SYSTEM IN THE CITY OF NABEREZHNYE CHELNY
ÌÎÈÑÅÅÂ Þ.Ì. ÃÐÀÄÀÍÀËÈÇ: ÏÎÑÒÈÆÅÍÈÅ ÏÐÎÁËÅÌ ÏÐÎÑÒÐÀÍÑÒÂÅÍÍÎÉ ÃÐÀÌÎÒÛ
IOURI M. MOISSEEV, URBAN ANALYSIS: COMPREHENDING CHALLENGES OF SPATIAL LEARNING
ÏËÅØÈÂÖÅ À. À. ÊÎÍÖÅÏÖÈß ÏÐÈÌÅÍÅÍÈß ÍÅÒÐÀÄÈÖÈÎÍÍÛÕ È ÈÍÍÎÂÀÖÈÎÍÍÛÕ ÏÐÈÅÌΠÏÐÎÅÊÒÈÐÎÂÀÍÈß ÄËß ÎÁÅÑÏÅ×ÅÍÈß ÔÓÍÊÖÈÎÍÀËÜÍÎÃÎ ÊÀ×ÅÑÒÂÀ ÀÐÕÈÒÅÊÒÓÐÍÛÕ ÎÁÚÅÊÒÎÂ
ALEXANDER A. PLESHIVTSEV, CONCEPT FOR THE NON-TRADITIONAL AND INNOVATIVE DESIGN METHODS TO ENSURE THE FUNCTIONAL QUALITY ARCHITECTURAL OBJECTS
×ÅÐÊÀÑΠÃ. Í., ÏÎÏÎÂÀ Ä. Ä. ÃÎÐÎÄ — ÈÍÄÓÑÒÐÈÀËÜÍÛÅ ÇÎÍÛ — ÎÁÙÅÑÒÂÅÍÍÛÅ ÏÐÎÑÒÐÀÍÑÒÂÀ
GEORGIY N. CHERKASOV, DARYA D. POPOVA, CITY — INDUSTRIAL ZONES — PUBLIC SPACES
ÑÐÅÄÀ // ENVIRONMENT
ÊÈßÍÅÍÊÎ Ê. Â. «ÑÐÅÄÎÂÈÇÀÖÈß» ÀÐÕÈÒÅÊÒÓÐÛ: ÈÑÒÎÊÈ Â ÏÐÎÅÊÒÍÎ-ÌÅÒÎÄÎËÎÃÈ×ÅÑÊÎÌ ÄÂÈÆÅÍÈÈ
KONSTANTIN V. KIYANENKO, «ENVIRONMENTIZATION» OF ARCHITECTURE: ORIGINS IN THE DESIGN AND METHODOLOGICAL MOVEMENT
ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ XXI âåêà // THESAURUS
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