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ÄÅÊÀÁÐÜ 2020 ãîäà

ÄÅÊÀÁÐÜ 2020 ãîäà
ÄÅÊÀÁÐÜ, 2020


ÎÒ ÐÅÄÀÊÖÈÈ // FROM EDITORS

ÌÅÒËÅÍÊÎÂ Í. Ô., ÊÎÍÅÂÀ Å. Â. ÃËÀÂÍÛÉ ÓÐÎÊ ÂÕÓÒÅÌÀÑÀ

NIKOLAY F. METLENKOV, EKATERINA V. KONEVA, THE MAIN LESSON OF VKHUTEMAS


ÊÐÓÃËÛÉ ÑÒÎË — ÂÕÓÒÅÌÀÑ — 100 // VÊHUTEMAS — 100 — THE ROUND TABLE DISCUSSION

ÀÄÀÌΠÎ. È. ÂÕÓÒÅÌÀÑ: ÒÐÀÄÈÖÈß — ÍÀ×ÈÍÀÒÜ ÏÎÑÒÐÎÅÍÈÅ ÌÈÐÀ «Ñ ÍÓËß»

OLEG I. ADAMOV, VKHUTEMAS: TRADITION — TO INITIATE CONSTRUCTING THE WORLD FROM «ZERO» POINT


ÊÓÄÐßÂÖÅ À. Ï. ÒÐÓÄÍÛÉ ÏÓÒÜ ÂÎÇÂÐÀÙÅÍÈß

ALEXANDER P. KUDRYAVTSEV, THE HARD ROAD OF RENAISSANCE


ÁÓÕÀÐÎÂÀ Å. À. ÌÎÄÅÐÍÈÑÒÑÊÈÉ ÎÁÐÀÇ ÕÐÀÌÀ  ÀÐÕÈÒÅÊÒÓÐÅ ÈÂÀÍÀ ËÅÎÍÈÄÎÂÀ ÍÀ ÏÐÈÌÅÐÅ ËÅÑÒÍÈÖÛ ÑÀÍÀÒÎÐÈß ÍÊÒÏ Â ÊÈÑËÎÂÎÄÑÊÅ

EKATERINA A. BUKHAROVA, LANDSCAPED STAIRCASE OF NKTP SANATORIUM IN KISLOVODSK: THE MODERNIST IMAGE OF THE TEMPLE IN ARCHITECTURE BY IVAN LEONIDOV


ÈËÜÂÈÖÊÀß Ñ. Â., ÏÎßÍ À. Â. ÄÈÂÅÐÃÅÍÒÍÎÅ ÐÀÇÂÈÒÈÅ ÀÐÕÈÒÅÊÒÓÐÛ ÊÎÍÑÒÐÓÊÒÈÂÈÇÌÀ  ÌÎËÄÀÂÈÈ: ÄÂÀ ÁÅÐÅÃÀ Ó ÎÄÍÎÉ ÐÅÊÈ

SVETLANA V. ILVITSKAYA, ÀNNA V. POYAN, DIVERGENT DEVELOPMENT OF CONSTRUCTIVIST ARCHITECTURETO MOLDOVA: TWO COASTS ON THE SAME RIVER


ËÀÏØÈÍÀ Å. Ã. ÏÅÍÇÅÍÑÊÈÉ ÕÓÒÅÌÀÑ. ÎÑÎÁÅÍÍÎÑÒÈ ÔÎÐÌÈÐÎÂÀÍÈß: ßÍÂÀÐÜ-ÈÞËÜ 1921 ã.

ELENA G. LAPSHINA, PENZA HUTEMAS. FEATURES OF FORMATION: JANUARY-JULY, 1921


ËÎÏÀÒÊÈÍÀ Å. Þ. ÊËÀÑÑÈ×ÅÑÊÀß ÒÐÀÄÈÖÈß È ÏÎÍÈÌÀÍÈÅ ÀÐÕÈÒÅÊÒÓÐÍÎÉ ÔÎÐÌÛ ÏÎÐÒÀËÀ  ÒÂÎÐ×ÅÑÒÂÅ È.È. ËÅÎÍÈÄÎÂÀ

EKATERINA Y. LOPATKINA, CLASSICAL TRADITION AND INTERPRETATION OF ARCHITECTURAL FORM OF PORTAL IN IVAN LEONIDOV'S CREATIVE WORK


×ÅÐÊÀÑΠÃ. Í. ÀÐÕÈÒÅÊÒÓÐÍÀß ÆÈÇÍÜ ÌÎÑÊÂÛ: ÀÐÕÔÀÊ ÂÕÓÒÅÌÀÑÀ È ÀÐÕÈÒÅÊÒÓÐÍÎÅ ÎÒÄÅËÅÍÈÅ ÌÂÒÓ

GEORGIY N. CHERKASOV, ARCHITECTURAL LIFE OF MOSCOW: ARCHITECTURE FACULTY OF VHUTEMAS AND ARCHITECTURAL DEPARTMENT OF MOSCOW HIGHER TECHNICAL SCHOOL (MHTS)


ÀÄÀÌΠÎ. È. ÑÌÛÑËÎÂÛÅ ÅÄÈÍÈÖÛ Â ÏÐÎÑÒÐÀÍÑÒÂÅÍÍÛÕ ÏÎÑÒÐÎÅÍÈßÕ ÂÅËÈÌÈÐÀ ÕËÅÁÍÈÊÎÂÀ, ÂËÀÄÈÌÈÐÀ ÒÀÒËÈÍÀ È ÈËÜÈ ÃÎËÎÑÎÂÀ

OLEG I. ADAMOV, THE SEMANTIC UNITS IN SPATIAL CONSTRUCTIONS BY VELIMIR KHLEBNIKOV, VLADIMIR TATLIN AND ILYA GOLOSOV



ÂÕÓÒÅÌÀÑ-100. ÂÛÑÒÀÂÊÈ. ÊÎÍÊÓÐÑÛ // VKHUTEMAS — 100. EXHIBITIONS. COMPETITIONS

ÈÂÀÍÎÂÀ-ÂÅÝÍ Ë. È. ÄÈÑÖÈÏËÈÍÀ «ÏÐÎÑÒÐÀÍÑÒÂλ Í.À. ËÀÄÎÂÑÊÎÃÎ ÍÀ ÂÛÑÒÀÂÊÀÕ 1923-2020 ÃÃ.

LARISA I. IVANOVA-VEEN, DISCIPLINE «SPACE» N.À. LADOVSKY AT EXHIBITIONS 1923-2020


×ÅÏÊÓÍÎÂÀ È. Â. ÂÕÓÒÅÌÀÑ 1920-1930. ÊÎËËÅÊÖÈÈ È ÂÛÑÒÀÂÊÈ ÌÓÇÅß ÀÐÕÈÒÅÊÒÓÐÛ ÈÌ. À.Â. ÙÓÑÅÂÀ

IRINA V. CHEPKUNOVA, VKHUTEMAS 1920-1930. COLLECTIONS AND EXHIBITIONS OF THE SHCHUSEV MUSEUM OF ARCHITECTURE


ÅÐÌÎËÀÅ À. Ï., ÅÐÌÎËÀÅ À. À. ÂÛÑÒÀÂÊÀ «ÂÕÓÒÅÌÀÑ Â ÌÀÐÕÈ»

ALEKSANDER P. ERMOLAEV, ALEKSANDER A. ERMOLAEV, EXHIBITION «VKHUTEMAS IN MARKHI»


ÑÅËÈÂÀÍÎÂÀ À. Í. ÂÛÑÒÀÂÊÀ «ÂÕÓÒÅÌÀÑ 100. ØÊÎËÀ ÀÂÀÍÃÀÐÄÀ»  ÌÓÇÅÅ ÌÎÑÊÂÛ

ALEXANDRA N. SELIVANOVA, VKHUTEMAS 100. SCHOOL OF THE AVANT-GARDE


ÏÎËÅÙÓÊ Ì. Í. ÂÕÓÒÅÌÀÑ ÊÀÊ «ÈÍÑÒÈÒÓÒ ÐÀÇÂÈÒÈß» ÐÓÑÑÊÎÃÎ ÀÂÀÍÃÀÐÄÀ

MAXIM N. POLESHCHUK, VKHUTEMAS AS A TOOL FOR DEVELOPMENT OF RUSSIAN AVANT-GUARD



ÊÎÍÖÅÏÖÈÈ // CONCEPTS

ÄÅÌÁÈ× À. À., ÎÐËÎÂÀ Í. Ã., ÓËÜßÍΠÄ. À. ÎÑÎÁÅÍÍÎÑÒÈ ÑÒÀÍÎÂËÅÍÈß ÏÎËÈÖÅÍÒÐÈ×ÅÑÊÎÉ ÃÐÀÄÎÑÒÐÎÈÒÅËÜÍÎÉ ÑÈÑÒÅÌÛ Â ÃÎÐÎÄÅ ÍÀÁÅÐÅÆÍÛÕ ×ÅËÍÀÕ

ALEXANDER A. DEMBICH, NATALIIA G. ORLOVA, DMITRY A. ULYANOV, FEATURES OF THE FORMATION OF A POLYCENTRIC URBAN PLANNING SYSTEM IN THE CITY OF NABEREZHNYE CHELNY


ÌÎÈÑÅÅÂ Þ.Ì. ÃÐÀÄÀÍÀËÈÇ: ÏÎÑÒÈÆÅÍÈÅ ÏÐÎÁËÅÌ ÏÐÎÑÒÐÀÍÑÒÂÅÍÍÎÉ ÃÐÀÌÎÒÛ

IOURI M. MOISSEEV, URBAN ANALYSIS: COMPREHENDING CHALLENGES OF SPATIAL LEARNING


ÏËÅØÈÂÖÅ À. À. ÊÎÍÖÅÏÖÈß ÏÐÈÌÅÍÅÍÈß ÍÅÒÐÀÄÈÖÈÎÍÍÛÕ È ÈÍÍÎÂÀÖÈÎÍÍÛÕ ÏÐÈÅÌΠÏÐÎÅÊÒÈÐÎÂÀÍÈß ÄËß ÎÁÅÑÏÅ×ÅÍÈß ÔÓÍÊÖÈÎÍÀËÜÍÎÃÎ ÊÀ×ÅÑÒÂÀ ÀÐÕÈÒÅÊÒÓÐÍÛÕ ÎÁÚÅÊÒÎÂ

ALEXANDER A. PLESHIVTSEV, CONCEPT FOR THE NON-TRADITIONAL AND INNOVATIVE DESIGN METHODS TO ENSURE THE FUNCTIONAL QUALITY ARCHITECTURAL OBJECTS


×ÅÐÊÀÑΠÃ. Í., ÏÎÏÎÂÀ Ä. Ä. ÃÎÐÎÄ — ÈÍÄÓÑÒÐÈÀËÜÍÛÅ ÇÎÍÛ — ÎÁÙÅÑÒÂÅÍÍÛÅ ÏÐÎÑÒÐÀÍÑÒÂÀ

GEORGIY N. CHERKASOV, DARYA D. POPOVA, CITY — INDUSTRIAL ZONES — PUBLIC SPACES


ÑÐÅÄÀ // ENVIRONMENT

ÊÈßÍÅÍÊÎ Ê. Â. «ÑÐÅÄÎÂÈÇÀÖÈß» ÀÐÕÈÒÅÊÒÓÐÛ: ÈÑÒÎÊÈ Â ÏÐÎÅÊÒÍÎ-ÌÅÒÎÄÎËÎÃÈ×ÅÑÊÎÌ ÄÂÈÆÅÍÈÈ

KONSTANTIN V. KIYANENKO, «ENVIRONMENTIZATION» OF ARCHITECTURE: ORIGINS IN THE DESIGN AND METHODOLOGICAL MOVEMENT


ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ XXI âåêà // THESAURUS

ÀËÜÃÎÒÅÊÒÓÐÀ .Ã. ×èñòÿêîâà, Ñ.Â. Èëüâèöêàÿ)

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