ÅÆÅÊÂÀÐÒÀËÜÍÛÉ
íàó÷íî-ïðàêòè÷åñêèé è êóëüòóðíî-ïðîñâåòèòåëüñêèé
æóðíàë «Àðõèòåêòóðà è ñòðîèòåëüñòâî Ðîññèè»
âõîäèò â ïåðå÷åíü ðåöåíçèðóåìûõ íàó÷íûõ èçäàíèé Âûñøåé àòòåñòàöèîííîé êîìèññèè (ÂÀÊ) , â êîòîðûõ äîëæíû áûòü îïóáëèêîâàíû îñíîâíûå íàó÷íûå ðåçóëüòàòû äèññåðòàöèé íà ñîèñêàíèå ó÷åíîé ñòåïåíè êàíäèäàòà íàóê, íà ñîèñêàíèå ó÷åíîé ñòåïåíè äîêòîðà íàóê
Æóðíàë âêëþ÷åí â áàçó äàííûõ Ðîññèéñêîãî èíäåêñà íàó÷íîãî öèòèðîâàíèÿ (ÐÈÍÖ) (www.e-library.ru)
ÄÅÊÀÁÐÜ, 2024
ÎÒ ÐÅÄÀÊÖÈÈ // FROM EDITION
ÌÅÒËÅÍÊΠÍ.Ô., ÀÁÈËΠÀ.Æ., ÊÈßÍÅÍÊÎ Ê.Â., ÒÊÀ×Å Â.Í. ÌÈÑÑÈß ÀÐÕÈÒÅÊÒÓÐÛ È ÀÐÕÈÒÅÊÒÎÐÀ
NKOLAY F. METLENKOV, ALEXEY ZH. ABILOV, KONSTANTIN V. KIYANENKO, VALENTIN N. TKACHEV, MISSION OF ARCHITECTURE AND THE ARCHITECT
ÕÀÐÒÈß ÞÍÅÑÊÎ-ÌÑÀ ÏÎ ÀÐÕÈÒÅÊÒÓÐÍÎÌÓ ÎÁÐÀÇÎÂÀÍÈÞ (Ïåð. ñ àíãë. ïîä ðåäàêöèåé Å.Ñ. Áàæåíîâîé, Ê.Â. Êèÿíåíêî)
UNESCO-IUA CHARTER ON ARCHITECTURAL EDUCATION
ÊÎÍÖÅÏÖÈÈ // CONCEPTS
ÀËÅÊÑÅÅ Þ.Â. ÅÄÈÍÀß ÌÅÒÎÄÎËÎÃÈ×ÅÑÊÀß È ÒÅÎÐÅÒÈ×ÅÑÊÀß ÁÀÇÀ ÂÛÑØÅÃÎ ÎÁÐÀÇÎÂÀÍÈß — ÎÑÍÎÂÀ ÓÏÐÀÂËÅÍÈß ÏÐÎÔÅÑÑÈÎÍÀËÜÍÎÉ ÄÅßÒÅËÜÍÎÑÒÜÞ Â ÑÒÐÎÈÒÅËÜÍÎÉ ÎÒÐÀÑËÈ
YURIY V. ALEKSEEV, UNITED METHODOLOGICAL AND THEORETICAL BASIS OF HIGHER EDUCATION — THE BASIS OF MANAGEMENT PROFESSIONAL ACTIVITY IN THE CONSTRUCTION INDUSTRY
ÀÕÌÅÒÇßÍΠÂ.Ã., ÕÀÁÈÁÓËËÈÍ Ô.Ø., ÒÅÐÅÍÒÜÅ À.Ã., ÌÀÊÑÈÌÛ×ÅÂÀ Å.Å. ÀÐÕÈÒÅÊÒÓÐÀ ÃÎÐÎÄÀ ÊÀÇÀÍÈ ÃËÀÇÀÌÈ ÕÓÄÎÆÍÈÊÎÂ
VAGIZ G. AKHMETZYANOV, FARID SH. KHABIBULLIN, ANDREY G. TERENTIEV, ELIZAVETA E. MAKSIMYCHEVA, ARCHITECTURE OF KAZAN THROUGH THE EYES OF ARTISTS
ÁÀÇÈËÅÂÈ× À.Ì. ÊÀÒÅÃÎÐÈÈ ÏÐÎÑÒÐÀÍÑÒÂÎ È ÂÐÅÌß Â ÀÐÕÈÒÅÊÒÓÐÅ È ÃÐÀÄÎÑÒÐÎÈÒÅËÜÑÒÂÅ
ANATOLY M. BAZILEVICH, CATEGORIES SPACE AND TIME IN ARCHITECTURE AND URBAN PLANNING
ÂÓËÜ Î.À., ÄÐÅÁÅÇÃÎÂÀ Ì.Þ., ÒÈÌÎÔÅÅÂÀ Ò.Â. ÏÐÈÑÏÎÑÎÁËÅÍÈÅ ÈÑÒÎÐÈ×ÅÑÊÈÕ ÇÄÀÍÈÉ ÃÎÑÓÄÀÐÑÒÂÅÍÍÎÃÎ ÌÓÇÅß-ÇÀÏÎÂÅÄÍÈÊÀ «ÖÀÐÑÊÎÅ ÑÅËλ ÍÀ ÏÐÈÌÅÐÅ ÐÅÎÐÃÀÍÈÇÀÖÈÈ ÈÍÒÅÐÜÅÐΠÈÌÏÅÐÀÒÎÐÑÊÎÉ ÔÅÐÌÛ
OLGA A. VUL, MARIA Y. DREBEZGOVA, TATYANA V. TIMOFEEVA, ADAPTATION OF HISTORICAL BUILDINGS OF THE STATE MUSEUM-RESERVE «TSARSKOYE SELO» USING THE EXAMPLE OF REORGANIZING THE INTERIORS OF THE IMPERIAL FARM
ÈÁÐÀÃÈÌÎÂÀ Í.È., ÊÓÄÐßØÅÂÀ Å.À. ÂÎÐÊØÎÏ Â ÊÃÀÑÓ: ÓÑÀÄÜÁÀ ÎÑÎÊÈÍÛÕ — ÏÐÎÑÒÐÀÍÑÒÂÎ ÊÐÅÀÒÈÂÍÛÕ ÒÅÕÍÎËÎÃÈÉ
NAILYA I. IBRAGIMOVA, ELENA A. KUDRYASHEVA, WORKSHOP AT KSUAE: OSOKINH ESTATE — A SPACE OF CREATIVE TECHNOLOGIES
ÊÈÍÎÑÜßÍ Í.Ñ., ÑÀÁÈÐÎÂÀ Ç.À. ÏÎÄÕÎÄÛ Ê ÏÐÎÅÊÒÈÐÎÂÀÍÈÞ ÆÈËÜß ÍÀ ÎÑÍÎÂÅ ÏÈËÎÒÍÎÃÎ ÏÐÎÅÊÒÀ ÏÎ ÈÌÓÙÅÑÒÂÅÍÍÎÉ ÏÎÄÄÅÐÆÊÅ ÏÐÈÅÌÍÛÕ ÑÅÌÅÉ
NATALYA S. KINOSYAN, ZARINA A. SABIROVA, APPROACHES TO HOUSING DESIGN BASED ON A PILOT PROJECT FOR PROPERTY SUPPORT FOR FOSTER FAMILIES
×ÅÐÍÛØÎÂÀ Ý.Ï., ÃÈËÜÄÈÍÀ Ò.À., ÐÀÄÈÎÍΠÒ.Â. ÀÐÕÈÒÅÊÒÓÐÍÎ-ËÀÍÄØÀÔÒÍÀß ÑÐÅÄÀ ÏÐÎÂÈÍÖÈÀËÜÍÎÃÎ ÃÎÐÎÄÀ
ELVIRA P. CHERNYSHOVA, TATYANA A. GILDINA, TIMUR V. RADIONOV, ARCHITECTURAL AND LANDSCAPE ENVIRONMENT OF A PROVINCIAL TOWN
ÊÀÍÀÅÂÀ À.Â., ÌÅÒËÅÍÊΠÍ.Ô., ÊÎÍÅÂÀ Å.Â. ÐÀÇÂÈÒÈÅ ÀÐÕÈÒÅÊÒÓÐÍÎÉ ÑÐÅÄÛ ÈÑÒÎÐÈ×ÅÑÊÈÕ ÃÎÐÎÄΠ ÊÎÍÒÅÊÑÒÅ ÖÈÔÐÎÂÎÉ ÏÀÐÀÄÈÃÌÛ
ANASTASIA V. KANAEVA, NIKOLAY F. METLENKOV, EKATERINA V. KONEVA, DEVELOPMENT OF THE ARCHITECTURAL ENVIRONMENT OF HISTORIC CITIES IN THE CONTEXT OF THE DIGITAL PARADIGM
ÌÓÑÒÀÔÈÍÀ Ë.Ð. ÏÐÅÄÏÎÑÛËÊÈ ÔÎÐÌÈÐÎÂÀÍÈß ÀÐÕÈÒÅÊÒÓÐÍÎÉ ÒÈÏÎËÎÃÈÈ ÎÁÚÅÊÒÎÂ ÏÐÅÂÅÍÒÈÂÍÎÉ ÌÅÄÈÖÈÍÛ
LENARA R. MUSTAFINA, PREREQUISITES FOR THE FORMATION OF THE ARCHITECTURAL TYPOLOGY OF PREVENTIVE MEDICINE FACILITIES
ÏÐÎÕÎÐÎÂ-ÌÀËßÑΠÃ.Ñ., ÎÐËÎÂÀ Í.Ã. ÔÀÊÒÎÐÛ, ÎÏÐÅÄÅËßÞÙÈÅ ÐÀÇÂÈÒÈÅ ÈÑÒÎÐÈÊÎ-ÊÓËÜÒÓÐÍÎÉ ÈÄÅÍÒÈ×ÍÎÑÒÈ Â ÓÑËÎÂÈßÕ ÓÐÁÀÍÈÇÈÐÎÂÀÍÍÎÉ ÑÐÅÄÛ
GEORGIY S. PROKHOROV-MALYASOV, NATALIIA G. ORLOVA, FACTORS DETERMINING THE DEVELOPMENT OF HISTORICAL AND CULTURAL IDENTITY IN AN URBANIZED ENVIRONMENT
ÀÐÕÈÒÅÊÒÓÐÍÛÅ ÄÈÑÑÅÐÒÀÖÈÈ: ÇÀÃËÀÂÈß È ÒÅÌÛ // ARCHITECTURAL THESES: TITLES AND THEMES
ÊÈßÍÅÍÊÎ Ê.Â. ÍÀÇÂÀÍÈß ÀÐÕÈÒÅÊÒÓÐÍÛÕ ÄÈÑÑÅÐÒÀÖÈÉ ÊÀÊ ÎÁÚÅÊÒ ÈÑÑËÅÄÎÂÀÍÈß
KONSTANTIN V. KIYANENKO, TITLES OF ARCHITECTURAL DISSERTATIONS AS AN OBJECT OF RESEARCH
ÏÐÎÔÅÑÑÈÎÍÀËÜÍÀß ÐÅÏËÈÊÀ // PROFESSOONAL REPLICA
ÀÂÅÐÊÈÅÂ Â.À. ÄÂÅ ÑÒÎËÈÖÛ ÏÅÐÑÈÄÑÊÎÃÎ ÇÀËÈÂÀ
VLADIMIR A. AVERKIEV, THE TWO CAPITALS OF THE PERSIAN GULF
ÊÎÐÑÈ Ì.Â. ÈÑÊÓÑÑÒÂÎ, ÀÐÕÈÒÅÊÒÓÐÀ È ÈÑÊÓÑÑÒÂÅÍÍÛÉ ÈÍÒÅËËÅÊÒ — ÏÅÐÑÏÅÊÒÈÂÛ ÐÀÇÂÈÒÈß È ÂÇÀÈÌÎÄÅÉÑÒÂÈß
MIKHAIL V. KORSI, ART, ARCHITECTURE AND ARTIFICIAL INTELLIGENCE — PERSPECTIVES OF DEVELOPMENT AND INTERACTION
ÌÀÊÑÈÌÎÂ Î.Ã. Â ÏÎÃÎÍÅ ÇÀ ÑÂÅÒÎÌ
OLEG G. MAKSIMOV, IN PURSUIT OF LIGNT
ÒÊÀ×Å Â.Í. ÕÎÐÎØÎ ÒÅÌÏÅÐÈÐÎÂÀÍÍÀß ÀÐÕÈÒÅÊÒÓÐÀ. ÇÀÌÅÒÊÈ ÄÈËÅÒÀÍÒÀ
VALENTIN N. TKACHEV, WELL TIME-TESTED ARCHITECTURE. AMATEUR'S NOTES
×ÅÐÊÀÑΠÃ.Í. ÓÐÎÊÈ ZT (ÇÀÂÎÄÀ «ÇÍÀÌß ÒÐÓÄÀ»)
GEORGIY N. CHERKASOV, LEARNING FROM ZT (ZNAMYA TRUDA FACTORY)
ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ ÕÕI ÂÅÊÀ // THESAURUS
ÁÈÎÏÎÄÎÁÍÀß ÀÐÕÈÒÅÊÒÓÐÀ. ÍÅÊÐÎÏÎËÈ (ÊÓÐÈËÎ Þ.Â., ÈËÜÂÈÖÊÀß Ñ.Â., ÏÅÒÐÎÂÀ Ë.Â.)
ÂÛÑÒÀÂÊÀ // EXHIBITION
ÀÐÕÈÒÅÊÒÓÐÍÛÅ ÇÀÐÈÑÎÂÊÈ: ÃÀÒ×ÈÍÀ. ÎÁÐÀÇ ÑÐÅÄÛ (Ìàðêèíà Â. Þ., Êîíåâà Å. Â.)
ÀÂÒÎÐÛ ÍÎÌÅÐÀ
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