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ÅÆÅÊÂÀÐÒÀËÜÍÛÉ 
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æóðíàë «Àðõèòåêòóðà è ñòðîèòåëüñòâî Ðîññèè»

âõîäèò â ïåðå÷åíü ðåöåíçèðóåìûõ íàó÷íûõ èçäàíèé Âûñøåé àòòåñòàöèîííîé êîìèññèè (ÂÀÊ) , â êîòîðûõ äîëæíû áûòü îïóáëèêîâàíû îñíîâíûå íàó÷íûå ðåçóëüòàòû äèññåðòàöèé íà ñîèñêàíèå ó÷åíîé ñòåïåíè êàíäèäàòà íàóê, íà ñîèñêàíèå ó÷åíîé ñòåïåíè äîêòîðà íàóê 

Æóðíàë âêëþ÷åí â áàçó äàííûõ Ðîññèéñêîãî èíäåêñà íàó÷íîãî öèòèðîâàíèÿ (ÐÈÍÖ) (www.e-library.ru)

 

ÄÅÊÀÁÐÜ, 2024

 

ÎÒ ÐÅÄÀÊÖÈÈ // FROM EDITION

ÌÅÒËÅÍÊΠÍ.Ô., ÀÁÈËΠÀ.Æ., ÊÈßÍÅÍÊÎ Ê.Â., ÒÊÀ×Å Â.Í. ÌÈÑÑÈß ÀÐÕÈÒÅÊÒÓÐÛ È ÀÐÕÈÒÅÊÒÎÐÀ

NKOLAY F. METLENKOVALEXEY ZH. ABILOV, KONSTANTIN V. KIYANENKO, VALENTIN N. TKACHEV, MISSION OF ARCHITECTURE AND THE ARCHITECT

 

ÕÀÐÒÈß ÞÍÅÑÊÎ-ÌÑÀ ÏΠÀÐÕÈÒÅÊÒÓÐÍÎÌÓ ÎÁÐÀÇÎÂÀÍÈÞ (Ïåð. ñ àíãë. ïîä ðåäàêöèåé Å.Ñ. Áàæåíîâîé, Ê.Â. Êèÿíåíêî)

UNESCO-IUA CHARTER ON ARCHITECTURAL EDUCATION

 

ÊÎÍÖÅÏÖÈÈ // CONCEPTS

ÀËÅÊÑÅÅ Þ.Â. ÅÄÈÍÀß ÌÅÒÎÄÎËÎÃÈ×ÅÑÊÀß È ÒÅÎÐÅÒÈ×ÅÑÊÀß ÁÀÇÀ ÂÛÑØÅÃÎ ÎÁÐÀÇÎÂÀÍÈß — ÎÑÍÎÂÀ ÓÏÐÀÂËÅÍÈß ÏÐÎÔÅÑÑÈÎÍÀËÜÍÎÉ ÄÅßÒÅËÜÍÎÑÒÜÞ Â ÑÒÐÎÈÒÅËÜÍÎÉ ÎÒÐÀÑËÈ

YURIY V. ALEKSEEV, UNITED METHODOLOGICAL AND THEORETICAL BASIS OF HIGHER EDUCATION — THE BASIS OF MANAGEMENT PROFESSIONAL ACTIVITY IN THE CONSTRUCTION INDUSTRY


ÀÕÌÅÒÇßÍΠÂ.Ã., ÕÀÁÈÁÓËËÈÍ Ô.Ø., ÒÅÐÅÍÒÜÅ À.Ã., ÌÀÊÑÈÌÛ×ÅÂÀ Å.Å. ÀÐÕÈÒÅÊÒÓÐÀ ÃÎÐÎÄÀ ÊÀÇÀÍÈ ÃËÀÇÀÌÈ ÕÓÄÎÆÍÈÊÎÂ

VAGIZ G. AKHMETZYANOV, FARID SH. KHABIBULLIN, ANDREY G. TERENTIEV, ELIZAVETA E. MAKSIMYCHEVA, ARCHITECTURE OF KAZAN THROUGH THE EYES OF ARTISTS


ÁÀÇÈËÅÂÈ× À.Ì. ÊÀÒÅÃÎÐÈÈ ÏÐÎÑÒÐÀÍÑÒÂÎ È ÂÐÅÌß Â ÀÐÕÈÒÅÊÒÓÐÅ È ÃÐÀÄÎÑÒÐÎÈÒÅËÜÑÒÂÅ

ANATOLY M. BAZILEVICH, CATEGORIES SPACE AND TIME IN ARCHITECTURE AND URBAN PLANNING

 

ÂÓËÜ Î.À., ÄÐÅÁÅÇÃÎÂÀ Ì.Þ., ÒÈÌÎÔÅÅÂÀ Ò.Â. ÏÐÈÑÏÎÑÎÁËÅÍÈÅ ÈÑÒÎÐÈ×ÅÑÊÈÕ ÇÄÀÍÈÉ ÃÎÑÓÄÀÐÑÒÂÅÍÍÎÃÎ ÌÓÇÅß-ÇÀÏÎÂÅÄÍÈÊÀ «ÖÀÐÑÊÎÅ ÑÅËλ ÍÀ ÏÐÈÌÅÐÅ ÐÅÎÐÃÀÍÈÇÀÖÈÈ ÈÍÒÅÐÜÅÐΠÈÌÏÅÐÀÒÎÐÑÊÎÉ ÔÅÐÌÛ

OLGA A. VUL, MARIA Y. DREBEZGOVA, TATYANA V. TIMOFEEVA, ADAPTATION OF HISTORICAL BUILDINGS OF THE STATE MUSEUM-RESERVE «TSARSKOYE SELO» USING THE EXAMPLE OF REORGANIZING THE INTERIORS OF THE IMPERIAL FARM

 

ÈÁÐÀÃÈÌÎÂÀ Í.È., ÊÓÄÐßØÅÂÀ Å.À. ÂÎÐÊØÎÏ Â ÊÃÀÑÓ: ÓÑÀÄÜÁÀ ÎÑÎÊÈÍÛÕ — ÏÐÎÑÒÐÀÍÑÒÂÎ ÊÐÅÀÒÈÂÍÛÕ ÒÅÕÍÎËÎÃÈÉ

NAILYA I. IBRAGIMOVA, ELENA A. KUDRYASHEVA, WORKSHOP AT KSUAE: OSOKINH ESTATE — A SPACE OF CREATIVE TECHNOLOGIES

 

ÊÈÍÎÑÜßÍ Í.Ñ., ÑÀÁÈÐÎÂÀ Ç.À. ÏÎÄÕÎÄÛ Ê ÏÐÎÅÊÒÈÐÎÂÀÍÈÞ ÆÈËÜß ÍÀ ÎÑÍÎÂÅ ÏÈËÎÒÍÎÃÎ ÏÐÎÅÊÒÀ ÏΠÈÌÓÙÅÑÒÂÅÍÍÎÉ ÏÎÄÄÅÐÆÊÅ ÏÐÈÅÌÍÛÕ ÑÅÌÅÉ

NATALYA S. KINOSYAN, ZARINA A. SABIROVA, APPROACHES TO HOUSING DESIGN BASED ON A PILOT PROJECT FOR PROPERTY SUPPORT FOR FOSTER FAMILIES

 

×ÅÐÍÛØÎÂÀ Ý.Ï., ÃÈËÜÄÈÍÀ Ò.À., ÐÀÄÈÎÍΠÒ.Â. ÀÐÕÈÒÅÊÒÓÐÍÎ-ËÀÍÄØÀÔÒÍÀß ÑÐÅÄÀ ÏÐÎÂÈÍÖÈÀËÜÍÎÃÎ ÃÎÐÎÄÀ

ELVIRA P. CHERNYSHOVA, TATYANA A. GILDINA, TIMUR V. RADIONOV, ARCHITECTURAL AND LANDSCAPE ENVIRONMENT OF A PROVINCIAL TOWN

 

ÊÀÍÀÅÂÀ À.Â., ÌÅÒËÅÍÊΠÍ.Ô., ÊÎÍÅÂÀ Å.Â. ÐÀÇÂÈÒÈÅ ÀÐÕÈÒÅÊÒÓÐÍÎÉ ÑÐÅÄÛ ÈÑÒÎÐÈ×ÅÑÊÈÕ ÃÎÐÎÄΠ ÊÎÍÒÅÊÑÒÅ ÖÈÔÐÎÂÎÉ ÏÀÐÀÄÈÃÌÛ

ANASTASIA V. KANAEVA, NIKOLAY F. METLENKOV, EKATERINA V. KONEVA, DEVELOPMENT OF THE ARCHITECTURAL ENVIRONMENT OF HISTORIC CITIES IN THE CONTEXT OF THE DIGITAL PARADIGM


ÌÓÑÒÀÔÈÍÀ Ë.Ð. ÏÐÅÄÏÎÑÛËÊÈ ÔÎÐÌÈÐÎÂÀÍÈß ÀÐÕÈÒÅÊÒÓÐÍÎÉ ÒÈÏÎËÎÃÈÈ ÎÁÚÅÊÒÎÂ ÏÐÅÂÅÍÒÈÂÍÎÉ ÌÅÄÈÖÈÍÛ

LENARA R. MUSTAFINA, PREREQUISITES FOR THE FORMATION OF THE ARCHITECTURAL TYPOLOGY OF PREVENTIVE MEDICINE FACILITIES


ÏÐÎÕÎÐÎÂ-ÌÀËßÑΠÃ.Ñ., ÎÐËÎÂÀ Í.Ã. ÔÀÊÒÎÐÛ, ÎÏÐÅÄÅËßÞÙÈÅ ÐÀÇÂÈÒÈÅ ÈÑÒÎÐÈÊÎ-ÊÓËÜÒÓÐÍÎÉ ÈÄÅÍÒÈ×ÍÎÑÒÈ Â ÓÑËÎÂÈßÕ ÓÐÁÀÍÈÇÈÐÎÂÀÍÍÎÉ ÑÐÅÄÛ

GEORGIY S. PROKHOROV-MALYASOV, NATALIIA G. ORLOVA, FACTORS DETERMINING THE DEVELOPMENT OF HISTORICAL AND CULTURAL IDENTITY IN AN URBANIZED ENVIRONMENT



ÀÐÕÈÒÅÊÒÓÐÍÛÅ ÄÈÑÑÅÐÒÀÖÈÈ: ÇÀÃËÀÂÈß È ÒÅÌÛ // ARCHITECTURAL THESES: TITLES AND THEMES

ÊÈßÍÅÍÊÎ Ê.Â. ÍÀÇÂÀÍÈß ÀÐÕÈÒÅÊÒÓÐÍÛÕ ÄÈÑÑÅÐÒÀÖÈÉ ÊÀÊ ÎÁÚÅÊÒ ÈÑÑËÅÄÎÂÀÍÈß

KONSTANTIN V. KIYANENKO, TITLES OF ARCHITECTURAL DISSERTATIONS AS AN OBJECT OF RESEARCH

 

 

ÏÐÎÔÅÑÑÈÎÍÀËÜÍÀß ÐÅÏËÈÊÀ // PROFESSOONAL REPLICA

ÀÂÅÐÊÈÅÂ Â.À. ÄÂÅ ÑÒÎËÈÖÛ ÏÅÐÑÈÄÑÊÎÃÎ ÇÀËÈÂÀ

VLADIMIR A. AVERKIEV, THE TWO CAPITALS OF THE PERSIAN GULF


ÊÎÐÑÈ Ì.Â. ÈÑÊÓÑÑÒÂÎ, ÀÐÕÈÒÅÊÒÓÐÀ È ÈÑÊÓÑÑÒÂÅÍÍÛÉ ÈÍÒÅËËÅÊÒ — ÏÅÐÑÏÅÊÒÈÂÛ ÐÀÇÂÈÒÈß È ÂÇÀÈÌÎÄÅÉÑÒÂÈß

MIKHAIL V. KORSI, ART, ARCHITECTURE AND ARTIFICIAL INTELLIGENCE — PERSPECTIVES OF DEVELOPMENT AND INTERACTION


ÌÀÊÑÈÌÎÂ Î.Ã. Â ÏÎÃÎÍÅ ÇÀ ÑÂÅÒÎÌ

OLEG G. MAKSIMOV, IN PURSUIT OF LIGNT


ÒÊÀ×Å Â.Í. ÕÎÐÎØÎ ÒÅÌÏÅÐÈÐÎÂÀÍÍÀß ÀÐÕÈÒÅÊÒÓÐÀ. ÇÀÌÅÒÊÈ ÄÈËÅÒÀÍÒÀ

VALENTIN N. TKACHEV, WELL TIME-TESTED ARCHITECTURE. AMATEUR'S NOTES


×ÅÐÊÀÑΠÃ.Í. ÓÐÎÊÈ ZT (ÇÀÂÎÄÀ «ÇÍÀÌß ÒÐÓÄÀ»)

GEORGIY N. CHERKASOV, LEARNING FROM ZT (ZNAMYA TRUDA FACTORY)



ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ ÕÕI ÂÅÊÀ // THESAURUS

ÁÈÎÏÎÄÎÁÍÀß ÀÐÕÈÒÅÊÒÓÐÀ. ÍÅÊÐÎÏÎËÈ (ÊÓÐÈËÎ Þ.Â., ÈËÜÂÈÖÊÀß Ñ.Â., ÏÅÒÐÎÂÀ Ë.Â.)

 


ÂÛÑÒÀÂÊÀ // EXHIBITION

ÀÐÕÈÒÅÊÒÓÐÍÛÅ ÇÀÐÈÑÎÂÊÈ: ÃÀÒ×ÈÍÀ. ÎÁÐÀÇ ÑÐÅÄÛ (Ìàðêèíà Â. Þ., Êîíåâà Å. Â.)

 

 

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