ÌÀÐÒ, 2021
ÎÒ ÃËÀÂÍÎÃÎ ÐÅÄÀÊÒÎÐÀ // FROM CHIEF EDITOR
ÌÅÒËÅÍÊÎÂ Í. Ô. ÂÐÅÌß ÝÊÑÏÅÐÈÌÅÍÒÎÂ
NIKOLAY F. METLENKOV, PERIOD OF EXPERIMENTS
ÊÐÓÃËÛÉ ÑÒÎË — ÍÎÂÅÉØÀß ÀÐÕÈÒÅÊÒÓÐÀ // NEWEST ARCHITECTURE — THE ROUND TABLE DISCUSSION
ÊÎÍÎÂÀËÎÂÀ Í. À. ÍÎÂÅÉØÈÅ ÒÅÍÄÅÍÖÈÈ Â ÇÎÄ×ÅÑÒÂÅ È ÊÎÍÒÓÐÛ ÀÐÕÈÒÅÊÒÓÐÛ ÁÓÄÓÙÅÃÎ
NINA A. KONOVALOVA, NEWEST TRENDS IN ARCHITECTURE AND OUTLINE OF FUTURE ARCHITECTURE
ÄÎÁÐÈÖÛÍÀ È. À., ÊÎÏÒÅÂÀ Ò. Â. ÍÅÉÐÎÍÀÓÊÀ ÊÀÊ ÌÅÒÎÄÎËÎÃÈ×ÅÑÊÀß ÒÐÀÍÑÃÐÅÑÑÈß Â ÏÐÎÑÒÐÀÍÑÒÂÎ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÛØËÅÍÈß
IRINA A. DOBRITSINA, TATIANA V. KOPTEVA, NEUROSCIENCE AS A METHODOLOGICAL TRANSGRESSION INTO THE SPACE OF ARCHITECTURAL THINKING IN THE THIRD MILLENNIUM
ÁÀÐ×ÓÃÎÂÀ Å. Â., ÐÎ×ÅÃÎÂÀ Í. À. ÓÐÁÀÍÈÇÈÐÎÂÀÍÍÀß ÑÐÅÄÀ ÈÍÔÎÐÌÀÖÈÎÍÍÎÃÎ ÎÁÙÅÑÒÂÀ
ELENA V. BARCHUGOVA NATALIYA A. ROCHEGOVA, URBANIZED ENVIRONMENT OF THE INFORMATION SOCIETY
ÄÓÖÅÂ Ì. Â. ÀÐÕÈÒÅÊÒÓÐÍÎ-ÕÓÄÎÆÅÑÒÂÅÍÍÀß ÑÐÅÄÀ: ÌÅÒÀÌÎÐÔÎÇÛ ÂÐÅÌÅÍÈ
MIKHAIL V. DUTSEV, ARCHITECTURAL AND ARTISTIC ENVIRONMENT: METAMORPHOSES OF TIME
ÊÀÑÜßÍΠÍ. Â. Î ÂÇÀÈÌÎÑÂßÇÈ ÒÅÕÍÎËÎÃÈÉ È ÒÅÍÄÅÍÖÈÉ ÔÎÐÌÎÎÁÐÀÇÎÂÀÍÈß Â ÀÐÕÈÒÅÊÒÓÐÅ ÍÀ×ÀËÀ XXI ÂÅÊÀ.
NICKOLAY V. KASYANOV, ON THE INTERRELATIONSHIP OF TECHNOLOGIES AND TRENDS IN SHAPING IN ARCHITECTURE AT THE BEGINNING OF THE 21ST CENTURY
ÊÎÍÎÂÀËÎÂÀ Í. À. ÌÈÑÑÈß ÑÎÂÐÅÌÅÍÍÎÉ ÀÐÕÈÒÅÊÒÓÐÛ ÈËÈ ÂÎÇÂÐÀÙÅÍÈÅ Ê ÈÑÒÎÊÀÌ. ßÏÎÍÑÊÈÉ ÎÏÛÒ
NINA A. KONOVALOVA, THE MISSION OF CONTEMPORARY ARCHITECTURE OR RETURN TO THE ORIGINS. JAPANESE EXPERIENCE
ÊÓÊÈÍÀ È. Â. ÓÐÁÎ-ÊÎÍÔËÈÊÒÛ: ÐÀÇÄÅËÅÍÍÛÅ ÈËÈ ÄÂÎÉÍÛÅ ÃÎÐÎÄÀ?
IRINA V. KUKINA, URBAN CONFLICTS: DEVIDED OR DOUBLE CITIES?
ÌÀÅÂÑÊÀß Ì. Å. ÌÅÄÈÀÔÀÑÀÄ ÊÀÊ ÈÍÑÒÐÓÌÅÍÒ ÕÓÄÎÆÅÑÒÂÅÍÍÎÃÎ ÎÒÎÁÐÀÆÅÍÈß ÊÎÍÖÅÏÖÈÈ «ÓÌÍÎÃÎ ÃÎÐÎÄÀ» Â ÂÛÑÎÒÍÎÉ ÀÐÕÈÒÅÊÒÓÐÅ
MARIANNA E. MAEVSKAYA, MEDIA FACADE AS A TOOL OF ARTISTIC REPRESENTATION OF THE «SMART CITY» CONCEPT IN A HIGH-ALTITUDE ARCHITECTURE
ÌÅÐÈÄÆÈ Ì. ÊËÈØÅ, ÍÅÓÄÀ×È È ÏÅÐÑÏÅÊÒÈÂÛ «ÍÎÂÎÉ ÀÐÕÈÒÅÊÒÓÐÛ»
MAURIZIO MERIGGI, CLICHÉ, NONCOMPLIANCE AND PERSPECTIVES OF THE «NEW ARCHITECTURE»
ÏÒÈ×ÍÈÊÎÂÀ Ã. À. ÀÐÕÈÒÅÊÒÓÐÀ È ÖÈÔÐÎÂÛÅ ÌÅÄÈÀ: ÂÅÊÒÎÐÛ ÐÀÇÂÈÒÈß Â XXI ÂÅÊÅ
GALINA A. PTICHNIKOVA, ARCHITECTURE AND DIGITAL MEDIA: VECTORS OF DEVELOPMENT IN THE XXI CENTURY
ÔÅÄ×ÅÍÊÎ È. Ã. Î ÐÎËÈ ÀÐÕÈÒÅÊÒÓÐÍÎ-ÏËÀÍÈÐÎÂÎ×ÍÎÃÎ ÂÎÏËÎÙÅÍÈß ÊÎÌÏËÅÊÑÍÎÃÎ ÐÀÇÂÈÒÈß ÒÅÐÐÈÒÎÐÈÉ
IRINA G. FEDCHENKO, ON THE ROLE OF ARCHITECTURAL AND PLANNING IMPLEMENTATION OF INTEGRATED DEVELOPMENT OF TERRITORIES
×ÆÀÍ ÖÇÈÍÜ, ×ÝÍÜ ÖÞÀÍÜ'ÀÍÜ, ÒÐÀÄÈÖÈÎÍÍÎÅ ßÄÐÎ È ÑÎÂÐÅÌÅÍÍÎÅ ÌÍÎÃÎÎÁÐÀÇÈÅ — ÎÁÇÎÐ ÒÂÎÐ×ÅÑÒÂÀ ×ÅÒÂÅÐÒÎÃÎ È ÏßÒÎÃÎ ÏÎÊÎËÅÍÈÉ ÊÈÒÀÉÑÊÈÕ ÀÐÕÈÒÅÊÒÎÐÎÂ
JIN ZHANG, QUAN'AN CHEN, TRADITIONAL CORE AND MODERN DIVERSITY — OVERVIEW OF THE FOURTH AND FIFTH GENERATIONS OF CHINESE ARCHITECTS CREATIVITY
ÞÐÎÂÑÊÀß Þ. Â., ÀÄÀÌΠÎ. È. ÏÐÎßÂËÅÍÈÅ ÏËÀÑÒÈ×ÅÑÊÈÕ ÎÁÐÀÇΠ ÀÐÕÈÒÅÊÒÓÐÅ ÇÀÕÈ ÕÀÄÈÄ Â ÕÎÄÅ ÈÍÄÈÂÈÄÓÀËÜÍÛÕ ÑÒÀÍÎÂËÅÍÈÉ ÀÐÕÈÒÅÊÒÎÐÀ
YULIYA V. YUROVSKAYA, OLEG I. ADAMOV, REVEALING THE PLASTIC IMAGES IN THE ARCHITECTURE OF ZAHA HADID WHILE INDIVIDUAL BECOMING OF AN ARCHITECT
ßÂÅÉÍ Î. È., ßÍÊÎÂÑÊÀß Þ. Ñ. ÌÅÆÄÈÑÖÈÏËÈÍÀÐÍÛÅ ÊÎÍÖÅÏÒÛ ÊÀÊ ÈÍÑÒÐÓÌÅÍÒÀÐÈÉ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÏÐÎÅÊÒÈÐÎÂÀÍÈß
OLEG I. YAWEIN, YULIYA S. YANKOVSKAYA, CROSS-DISCIPLINARY CONCEPTS AS TOOLS ARCHITECTURAL DESIGN
ÊÎÍÖÅÏÖÈÈ // CONCEPTS
ÄÅÐÁÀÊ ÔÅÒÕ ÇÅÕÎÐ ÍÀÐÈÌÀÍ, ÒÊÀ×Å Â. Í. ÒÈÏÎËÎÃÈß ÃÎÐÎÄÑÊÎÃÎ ÆÈËÎÃÎ ÄÎÌÀ-ÏÀÒÈÎ ÀËÆÈÐÀ
DEBRAK FETKH ZEHOR NARIMAN, VALENTIN N. TKACHEV, TYPOLOGY OF PATIO-HOUSE IN ALGERIA
ÈËÜÂÈÖÊÀß Ñ. Â., ÆÈÖÀ Ï. ÑÎÖÈÀËÜÍÀß ÌÈÑÑÈß ÑÂßÒÎ-ÀËÅÊÑÈÅÂÑÊÎÉ ÏÓÑÒÛÍÈ
SVETLANA V. ILVITSKAYA, PETAR ZICA, MISSION SOCIAL OF MONASTERY SVIATO-ALEXIEVSKII
ÑÐÅÄÀ // CONCEPTS
ÊÈßÍÅÍÊÎ, Ê. Â. «ÑÐÅÄÎÂÈÇÀÖÈß» ÀÐÕÈÒÅÊÒÓÐÛ: ÈÑÒÎÊÈ Â ÏÑÈÕÎËÎÃÈÈ È ÑÎÖÈÎËÎÃÈÈ
KONSTANTIN V. KIYANENKO, «ENVIRONMENTIZATION» OF ARCHITECTURE: ORIGINS IN PSYCHOLOGY AND SOCIOLOGY
ÒÅÇÀÓÐÓÑ ÀÐÕÈÒÅÊÒÓÐÍÎÃÎ ÌÅÍÒÀËÈÒÅÒÀ XXI âåêà // THESAURUS
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